Difference between revisions of "Audio paradox"

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[[Category:Science]]
 
[[Category:Science]]
 
[[Category:Engineering]]
 
[[Category:Engineering]]
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[[Category:Audio]]
 
==  Audio Paradoxes ==
 
==  Audio Paradoxes ==
  
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[[Image:Escher_staircase.png]]
 
[[Image:Escher_staircase.png]]
by M.C.Escher
 
  
 
The following graph of Shepard's paradox shows frequency versus time. You can plainly see that the pitch appears to be increasing.
 
The following graph of Shepard's paradox shows frequency versus time. You can plainly see that the pitch appears to be increasing.
  
[[Image:Endless spectrum.png]]
 
Picture of the spectrum of Shepard's paradox.
 
 
Spectrum of Shepard's ascending paradox
 
Spectrum of Shepard's ascending paradox
 +
  [[Image:Endless spectrum.png]]
  
 
Note that if the same graph is looped you can see that the finishing pitch is the same as the starting pitch. It may be obvious to the eye, but the ear cannot perceive where the sample starts and finishes. If you listen to this sample the tones will appear to increase in pitch even if the sample loops back to the beginning and starts over.
 
Note that if the same graph is looped you can see that the finishing pitch is the same as the starting pitch. It may be obvious to the eye, but the ear cannot perceive where the sample starts and finishes. If you listen to this sample the tones will appear to increase in pitch even if the sample loops back to the beginning and starts over.
  
[[Image:Endless spectrum.png]][[Image:Endless spectrum.png]][[Image:Endless spectrum.png]]
 
 
The same spectrum looped three times
 
The same spectrum looped three times
 +
  [[Image:Endless spectrum.png]][[Image:Endless spectrum.png]][[Image:Endless spectrum.png]]
  
 
Two other audio paradoxes are included. One paradox demonstrates that it is possible to make the ear believe a series of tones are decreasing in pitch when they are actually increasing in pitch. The last paradox demonstrates that it is possible to make the ear believe that a tempo is getting quicker when it actually remains constant. The audio samples are provided in MP3 audio format.
 
Two other audio paradoxes are included. One paradox demonstrates that it is possible to make the ear believe a series of tones are decreasing in pitch when they are actually increasing in pitch. The last paradox demonstrates that it is possible to make the ear believe that a tempo is getting quicker when it actually remains constant. The audio samples are provided in MP3 audio format.
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[http://www.noah.org/science/audio_paradox/endless.mp3 Shepard's ascending tones (MP3 188K)]
 
[http://www.noah.org/science/audio_paradox/endless.mp3 Shepard's ascending tones (MP3 188K)]
  
This is a recording of Shepard's paradox synthesized by Jean-Claude Risset. Pairs of chords sound as if they are advancing up the scale, but in fact the starting pair of chords is the same as the finishing pair. If you loop this sample seamlessly then it should be impossible to tell where the sample begins and ends.
+
This is a recording of Shepard's paradox synthesized by Jean-Claude Risset. Pairs of chords sound as if they are advancing up the scale, but in fact the starting pair of chords is the same as the finishing pair. If you loop this sample it is impossible to tell where the sample begins and ends.
  
 
[http://www.noah.org/science/audio_paradox/falling.mp3 Falling bells (MP3 640K)]
 
[http://www.noah.org/science/audio_paradox/falling.mp3 Falling bells (MP3 640K)]
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== References ==
 
== References ==
  
"Paradoxical Sounds" by Jean-Claude Risset; from "Current directions in computer music research"; edited by Max V. Mathews and John R. Pierce; MIT Press; 1989; ISBN-0-262-13241-9; Chapter 11; pages 149-158.
+
"Paradoxical Sounds" by Jean-Claude Risset; from [http://www.amazon.com/gp/redirect.html?ie=UTF8&location=http%3A%2F%2Fwww.amazon.com%2FDirections-Computer-Development-Foundation-Benchmark%2Fdp%2F0262132419%3Fie%3DUTF8%26s%3Dbooks%26qid%3D1200581958%26sr%3D1-1&tag=wwwnoahorg-20&linkCode=ur2&camp=1789&creative=9325 Current directions in computer music research]; edited by Max V. Mathews and John R. Pierce; MIT Press; 1989; ISBN-0-262-13241-9; Chapter 11; pages 149-158.
  
 
"Paradoxes of musical pitch" by Diana Deutsch; Scientific American; August 1992; pages 88-95.
 
"Paradoxes of musical pitch" by Diana Deutsch; Scientific American; August 1992; pages 88-95.
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== original edits (prewiki) ==
 
== original edits (prewiki) ==
Sunday, December 3, 1995
+
 
Sunday, November 15, 1998
+
* Sunday, December 3, 1995
 +
* Sunday, November 15, 1998

Latest revision as of 06:19, 20 June 2016

Audio Paradoxes

The best known audio paradox is known as Shepard's paradox. It is the audio equivalent of the endless staircase illusion made famous by M. C. Escher. In this audio paradox a series of tones can be made to sound as if they are ascending or descending in pitch forever.

Escher staircase.png

The following graph of Shepard's paradox shows frequency versus time. You can plainly see that the pitch appears to be increasing.

Spectrum of Shepard's ascending paradox

 Endless spectrum.png

Note that if the same graph is looped you can see that the finishing pitch is the same as the starting pitch. It may be obvious to the eye, but the ear cannot perceive where the sample starts and finishes. If you listen to this sample the tones will appear to increase in pitch even if the sample loops back to the beginning and starts over.

The same spectrum looped three times

 Endless spectrum.pngEndless spectrum.pngEndless spectrum.png

Two other audio paradoxes are included. One paradox demonstrates that it is possible to make the ear believe a series of tones are decreasing in pitch when they are actually increasing in pitch. The last paradox demonstrates that it is possible to make the ear believe that a tempo is getting quicker when it actually remains constant. The audio samples are provided in MP3 audio format.

Audio Samples

Shepard's ascending tones (MP3 188K)

This is a recording of Shepard's paradox synthesized by Jean-Claude Risset. Pairs of chords sound as if they are advancing up the scale, but in fact the starting pair of chords is the same as the finishing pair. If you loop this sample it is impossible to tell where the sample begins and ends.

Falling bells (MP3 640K)

This is a recording of a paradox where bells sound as if they are falling through space. As they fall their pitch seems to be getting lower, but in fact the pitch gets higher. If you loop this sample you will clearly see the pitch jump back down when the sample repeats. This reveals that the start pitch is obviously much lower than the finishing pitch.

Quickening Beat (MP3 738K)

This recording is subtle. A drum beat sounds as if it is quickening in tempo, but the starting tempo is the same as this finishing tempo.

References

"Paradoxical Sounds" by Jean-Claude Risset; from Current directions in computer music research; edited by Max V. Mathews and John R. Pierce; MIT Press; 1989; ISBN-0-262-13241-9; Chapter 11; pages 149-158.

"Paradoxes of musical pitch" by Diana Deutsch; Scientific American; August 1992; pages 88-95.

Thierry Rochebois' paradoxical synthesizer: http://www.solorb.com/gfc/anhevn/paradox/paradox.html. This is Thierry Rochebois' Home Page. He has a link to a description of a fairly simple hardware implementation of a 12 key paradoxical synthesizer that he designed.

original edits (prewiki)

  • Sunday, December 3, 1995
  • Sunday, November 15, 1998